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Toody Cole of the Pierced Arrows at the Rickshaw on Flickr.Via Flickr:
Finally made it out to the Rickshaw last Saturday to see the Pack A.D. Great show all around. Sadly, my OM-2 jammed up after taking just one shot so, I was limited to shooting 6x7 with the Fuji. And Tri-X. And an f/3.5 maximum aperture. In a club.
So, as it turns out, you can actually push Tri-X to 12,800 and, if you do it with medium format, while you have absolutely no shadow detail, the grain (in Rodinal) is actually pretty tight.
Not as good a shots as I had been hoping to get but, not so bad either. I did minimize the agitation to 3 inversions every 10 minutes in an effort to keep things from getting too hairy. The negs look like hell, actually left them hanging for almost a week before I bothered scanning them but, the scans aren’t too terribly bad.
Opening band Pierced Arrows were absolutely spectacular and, headliners The Pack A.D. put on what might just be one of those shows one drunkenly brags about having been at years from now.
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Toody Cole of the Pierced Arrows at the Rickshaw on Flickr.

Via Flickr:
Finally made it out to the Rickshaw last Saturday to see the Pack A.D. Great show all around. Sadly, my OM-2 jammed up after taking just one shot so, I was limited to shooting 6x7 with the Fuji. And Tri-X. And an f/3.5 maximum aperture. In a club.

So, as it turns out, you can actually push Tri-X to 12,800 and, if you do it with medium format, while you have absolutely no shadow detail, the grain (in Rodinal) is actually pretty tight.

Not as good a shots as I had been hoping to get but, not so bad either. I did minimize the agitation to 3 inversions every 10 minutes in an effort to keep things from getting too hairy. The negs look like hell, actually left them hanging for almost a week before I bothered scanning them but, the scans aren’t too terribly bad.

Opening band Pierced Arrows were absolutely spectacular and, headliners The Pack A.D. put on what might just be one of those shows one drunkenly brags about having been at years from now.

    • #Fuji GW670III
    • #Pushed too far
    • #Rock and Roll
    • #Lower East Side
    • #Pierced Arrows
    • #Canada
    • #rodinal
    • #BC
    • #ISO 12800
    • #Live Music
    • #20ºC
    • #51 min
    • #6x7
    • #medium format
    • #Vancouver
    • #The Pack A.D.
    • #1:50
    • #East Hastings
    • #Bands
    • #tri-x
    • #Rickshaw Theatre
    • #scan
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 1 year ago
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"There was once a word used---swing. Swing went in one direction, it was linear, and everything had to be played with an obvious pulse and that's very restrictive. But I use the term 'rotary perception.' If you get a mental picture of the beat existing within a circle, you're more free to improvise. People used to think the notes had to fall on the center of the beats in the bar at intervals like a metronome, with three or four men in the rhythm section accenting the same pulse. That's like parade music or dance music. But imagine a circle surrounding each beat-each guy can play his notes anywhere in that circle, and it gives him a feeling he has more space. The notes fall anywhere inside the circle, but the original feeling for the beat isn't changed. If one in the group loses confidence, somebody hits the beat again. The pulse is inside you. When you're playing with musicians who think this way you can do anything. Anybody can stop and let the others go on. It's called strolling…."
---Charles Mingus, Beneath the Underdog

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