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The Kenilworth on Flickr.Via Flickr:
One of the better of the grand old apartment blocks of the West End of Vancouver, half of the Kenilworth is 100 years old this year. The other half is 101 years old.
According to a friend that lives there and the only online reference I could find for the building, this photo from the city of Vancouver archives, the southern wing of the building, on the corner of Cardero and Haro was built first, in 1911 with the northern wing following a year later. 
It’s somewhat surprising that I can’t find more info on it online as, when it was built, it would’ve been one of the larger buildings in a West End composed mainly of single family houses at the time. 
It’s a difficult building to get a good photograph of as the trees have grown tall around it, not to mention the excellent garden maintained by it’s tenants that spills out into the sidewalk at times but, it has always been one of the more desirable buildings to live in in the West End.
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The Kenilworth on Flickr.

Via Flickr:
One of the better of the grand old apartment blocks of the West End of Vancouver, half of the Kenilworth is 100 years old this year. The other half is 101 years old.

According to a friend that lives there and the only online reference I could find for the building, this photo from the city of Vancouver archives, the southern wing of the building, on the corner of Cardero and Haro was built first, in 1911 with the northern wing following a year later.

It’s somewhat surprising that I can’t find more info on it online as, when it was built, it would’ve been one of the larger buildings in a West End composed mainly of single family houses at the time.

It’s a difficult building to get a good photograph of as the trees have grown tall around it, not to mention the excellent garden maintained by it’s tenants that spills out into the sidewalk at times but, it has always been one of the more desirable buildings to live in in the West End.

    • #haro street
    • #Canada
    • #6:00
    • #75mm f/3.5 Tessar
    • #west end
    • #HC-110
    • #Vancouver
    • #1911
    • #kenilworth
    • #100 years old
    • #843 Cardero Street
    • #20ºC
    • #Ilford Delta 100
    • #apartment blocks
    • #BC
    • #Rolleiflex Automat
    • #scan
    • #photography
    • #photo
    • #pictures
    • #photographer
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 11 months ago
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Leafy on Flickr.Via Flickr:
Spring is well underway and, despite some rain in the last few days, the weather is generally spectacular. The buds have been replaced with full on leaves and life is grand.
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Leafy on Flickr.

Via Flickr:
Spring is well underway and, despite some rain in the last few days, the weather is generally spectacular. The buds have been replaced with full on leaves and life is grand.

    • #Rolleiflex Automat
    • #shadows
    • #Canada
    • #6:00
    • #tree
    • #late spring
    • #75mm f/3.5 Tessar
    • #HC-110
    • #Vancouver
    • #Ilford Delta 100
    • #20ºC
    • #leaves
    • #BC
    • #scan
    • #photography
    • #photo
    • #pictures
    • #photographer
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 12 months ago
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Echos of Coal Harbour’s Past on Flickr.Via Flickr:
While generally known these days as a forest of gleaming, glass towers, Coal Harbour was not always such. 
For the first 100 years of Vancouver’s existence, Coal Harbour was a hub of industry. Factories, Warehouses and Diesel fumes abounded. The trainyard dominated and, at the edges were rooming houses, apartment blocks and a few old houses.
The trainyard is long gone, Factories and Warehouses but a memory but, a few of the old houses and apartment blocks remain. Along with this one old rooming house, sticking out like a sore thumb on Melville Street. 
They now live out their lives enveloped in the shadows of their more grandiose neighbours, catching only the occasional shaft of sun each morning.
Rolleiflex Automat, Ilford Delta 100.
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Echos of Coal Harbour’s Past on Flickr.

Via Flickr:
While generally known these days as a forest of gleaming, glass towers, Coal Harbour was not always such.

For the first 100 years of Vancouver’s existence, Coal Harbour was a hub of industry. Factories, Warehouses and Diesel fumes abounded. The trainyard dominated and, at the edges were rooming houses, apartment blocks and a few old houses.

The trainyard is long gone, Factories and Warehouses but a memory but, a few of the old houses and apartment blocks remain. Along with this one old rooming house, sticking out like a sore thumb on Melville Street.

They now live out their lives enveloped in the shadows of their more grandiose neighbours, catching only the occasional shaft of sun each morning.

Rolleiflex Automat, Ilford Delta 100.

    • #Original Equipment
    • #Canada
    • #6:00
    • #75mm f/3.5 Tessar
    • #HC-110
    • #Vancouver
    • #Coal Harbour
    • #Rooming House
    • #20ºC
    • #Ilford Delta 100
    • #BC
    • #Rolleiflex Automat
    • #scan
    • #photography
    • #photo
    • #pictures
    • #photographer
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 1 year ago
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Ribs on Flickr.Via Flickr:
On a tug in dry dock.
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Ribs on Flickr.

Via Flickr:
On a tug in dry dock.

    • #13 min
    • #kodak
    • #Canada
    • #closeup
    • #Tri-X
    • #square
    • #rodinal
    • #BC
    • #twin lens reflex
    • #120
    • #6x6
    • #Vancouver Area 4/3s photo wander
    • #20ºC
    • #Rolleiflex Automat
    • #tugboat
    • #Vancouver
    • #75mm f/3.5 Tessar
    • #1:50
    • #scan
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 1 year ago
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Room with a View on Flickr.Via Flickr:
Location, Location, Location.
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Room with a View on Flickr.

Via Flickr:
Location, Location, Location.

    • #13 min
    • #kodak
    • #Yellow Filter
    • #Canada
    • #Tri-X
    • #square
    • #rodinal
    • #BC
    • #twin lens reflex
    • #120
    • #6x6
    • #Vancouver Area 4/3s photo wander
    • #20ºC
    • #Rolleiflex Automat
    • #Vancouver
    • #75mm f/3.5 Tessar
    • #1:50
    • #scan
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 1 year ago
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The Question Is… on Flickr.Via Flickr:
Is it OK to upload pictures taken with my Rolleiflex on a Vancouver 4/3’s group wander into the Vancouver 4/3’s group? Or, is this maybe a sneak preview of Olympus’ upcoming ‘Tri-X with Uncoated Tessar Lens’ Art Filter?
Taken while ignoring the theme of a Vancouver Area 4/3’s Users photo walk.
Rolleiflex Automat, Tri-X, Rodinal. As the creator intended photos to be made. ;-)
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The Question Is… on Flickr.

Via Flickr:
Is it OK to upload pictures taken with my Rolleiflex on a Vancouver 4/3’s group wander into the Vancouver 4/3’s group? Or, is this maybe a sneak preview of Olympus’ upcoming ‘Tri-X with Uncoated Tessar Lens’ Art Filter?

Taken while ignoring the theme of a Vancouver Area 4/3’s Users photo walk.

Rolleiflex Automat, Tri-X, Rodinal. As the creator intended photos to be made. ;-)

    • #Rolleiflex Automat
    • #kodak
    • #Canada
    • #6x6
    • #75mm f/3.5 Tessar
    • #square
    • #Vancouver
    • #1:50
    • #twin lens reflex
    • #Tri-X
    • #rodinal
    • #20ºC
    • #Vancouver Area 4/3s photo wander
    • #13 min
    • #BC
    • #120
    • #scan
    • #analog
    • #film
    • #silver halides
    • #black and white
    • #monochrome
  • 1 year ago
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Honda 350 on Flickr.Via Flickr:
My buddy Pete gave me a couple rolls of T-Max 100 recently, having decided to stick to colour shooting. I haven’t shot T-Max in nearly 20 years. Always had a love/hate relationship with the film.
I’m pleased to announce that my love/hate relationship with T-Max continues. It’s just spiffy when everything comes together. Remarkable, even but, given that I’m shooting with a 64 year old Rolleiflex, well, the precise exposure required for the best results from T-Max just ain’t gonna happen. Both rolls shot, a couple of successes and a bunch of middling, muddling blech. I’ll stick to my more forgiving old school favourites, Tri-X and the like.
I like this old Honda though, shot near the entrance to Granville Island.
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Honda 350 on Flickr.

Via Flickr:
My buddy Pete gave me a couple rolls of T-Max 100 recently, having decided to stick to colour shooting. I haven’t shot T-Max in nearly 20 years. Always had a love/hate relationship with the film.

I’m pleased to announce that my love/hate relationship with T-Max continues. It’s just spiffy when everything comes together. Remarkable, even but, given that I’m shooting with a 64 year old Rolleiflex, well, the precise exposure required for the best results from T-Max just ain’t gonna happen. Both rolls shot, a couple of successes and a bunch of middling, muddling blech. I’ll stick to my more forgiving old school favourites, Tri-X and the like.

I like this old Honda though, shot near the entrance to Granville Island.

    • #Medium Format
    • #Canada
    • #HC110
    • #Zeiss
    • #TLR
    • #BC
    • #6x6
    • #Film
    • #20ºC
    • #Rolleiflex Automat
    • #350
    • #Dilution B
    • #motorcycle
    • #Vancouver
    • #Kodak T-Max 100
    • #75mm f/3.5 Tessar
    • #Honda
    • #6min
    • #Analog
    • #granville island
  • 1 year ago
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"There was once a word used---swing. Swing went in one direction, it was linear, and everything had to be played with an obvious pulse and that's very restrictive. But I use the term 'rotary perception.' If you get a mental picture of the beat existing within a circle, you're more free to improvise. People used to think the notes had to fall on the center of the beats in the bar at intervals like a metronome, with three or four men in the rhythm section accenting the same pulse. That's like parade music or dance music. But imagine a circle surrounding each beat-each guy can play his notes anywhere in that circle, and it gives him a feeling he has more space. The notes fall anywhere inside the circle, but the original feeling for the beat isn't changed. If one in the group loses confidence, somebody hits the beat again. The pulse is inside you. When you're playing with musicians who think this way you can do anything. Anybody can stop and let the others go on. It's called strolling…."
---Charles Mingus, Beneath the Underdog

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