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Malcolm Lowry was right. on Flickr.Via Flickr:
His “Lament of the Pacific Northwest” is as astute an observation about Vancouver today as it was when he wrote it in 1949. 
This poem was written about the very bandstand pictured here which, in over 20 years of living downtown, I have yet to see a band perform.
They are taking down the beautiful houses once built with loving hands
But still the old bandstand stands where no band stands
With clawbars they have gone to work on the poor lovely houses above the sands
At their callous work of eviction that no human law countermands
Calously at their work of hearbreak that no civic heart understands
In this pompous and joyless city of police moral perfection and one man stands
Where you are brutally thrown out of beer parlors for standing where no man stands
Where the pigeons roam free and the police listen to each pigeon’s demands
And they are taking down the beautiful homes once with loving hands
But still the old bandstand stands where no band stands.
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Malcolm Lowry was right. on Flickr.

Via Flickr:
His “Lament of the Pacific Northwest” is as astute an observation about Vancouver today as it was when he wrote it in 1949.

This poem was written about the very bandstand pictured here which, in over 20 years of living downtown, I have yet to see a band perform.

They are taking down the beautiful houses once built with loving hands
But still the old bandstand stands where no band stands
With clawbars they have gone to work on the poor lovely houses above the sands
At their callous work of eviction that no human law countermands
Calously at their work of hearbreak that no civic heart understands
In this pompous and joyless city of police moral perfection and one man stands
Where you are brutally thrown out of beer parlors for standing where no man stands
Where the pigeons roam free and the police listen to each pigeon’s demands
And they are taking down the beautiful homes once with loving hands
But still the old bandstand stands where no band stands.

    • #vancouver
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    • #alexandra park
    • #bc
    • #rolleiflex automat
    • #english bay
    • #malcolm lowry
    • #canada
    • #Dil B
    • #6:00
    • #Zeiss Tessar 75mm f/3.5
    • #no band stands
    • #20ºC
    • #Ilford Delta 100
    • #quiet
    • #bandstand
    • #HC-110
    • #Canoscan 8600f
    • #scan
    • #photography
    • #photo
    • #pictures
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  • 12 months ago
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"There was once a word used---swing. Swing went in one direction, it was linear, and everything had to be played with an obvious pulse and that's very restrictive. But I use the term 'rotary perception.' If you get a mental picture of the beat existing within a circle, you're more free to improvise. People used to think the notes had to fall on the center of the beats in the bar at intervals like a metronome, with three or four men in the rhythm section accenting the same pulse. That's like parade music or dance music. But imagine a circle surrounding each beat-each guy can play his notes anywhere in that circle, and it gives him a feeling he has more space. The notes fall anywhere inside the circle, but the original feeling for the beat isn't changed. If one in the group loses confidence, somebody hits the beat again. The pulse is inside you. When you're playing with musicians who think this way you can do anything. Anybody can stop and let the others go on. It's called strolling…."
---Charles Mingus, Beneath the Underdog

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